

Select all the glyph layers (there should be 26 of them) and drag them into the Fontself Maker panel, in the appropriate place. Open the Fontself window by choosing Window > Extensions > Fontself Maker PS. I recommend that you duplicate the Uppercase Fonts group first, so you still have access to the originals should you need it. Then use Alt-[ to move down to the next dots layer, and repeat the process. Select the first dots layer, then use Alt-Shift-[ to add the layer beneath to the selection, followed by Command/Ctrl+E to flatten the two layers together. This isn’t as laborious as it sounds, as you can do it all with keystrokes. In order for Fontself to build the font, you need to make sure each glyph is just a single layer, and that means flattening all the dots down into the text layers. To do this, select the layer on which you’ve built the style, and choose New Style from the pop-up menu in the Styles panel. To make things easier, it’s worth defining new Layer Styles for both the letters and the dots, so you can apply them to the new layers with a single click. Now for the laborious part: repeating this procedure on all the remaining glyphs (I’m only working with upper case letters in this tutorial).

This creates the three-dimensional extrusion seen here. I then made a solid Drop Shadow (100% Spread, 0 px Size) and offset it by one pixel then I duplicated this shadow nine times, setting each one with an additional one-pixel offset. I’ve added a red Color Overlay, with an orange Stroke. Switch back to the glyph layer, and use the Layer Style dialog again to add effects. As these effects are all added with Layer Styles, it’s easy to adapt and modify them later if you need to. First, a Color Overlay turns the dots yellow then an Outer Glow adds the haze around the dots and finally, a white Inner Glow adds the bright spot in the middle of each bulb. I’ve used the Layer Style panel to light these dots. Then make a new layer, and fill the selection with any color. Select the dots with the Magic Wand tool, holding the Shift key to add each new selection to the old one. Choose just one letter to work on-you’ll need to treat them all individually. To make this color font, we’re going to add a lightbulb glow to all the white dots within the characters.
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With all the glyph layers selected, it’s easy to change this to 100% so you can see the font at full strength. Boost the opacityīecause the original template font is designed as an indication only, the opacity of the layers is set to just 20%. The simplest approach is to select all the type layers, and unlock them using the padlock icon in the Layers panel switch to the Type tool, and change the font to whatever you want.
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In this instance, though, we’re going to adapt an existing font – Budmo Jiggler, which can be downloaded for free from.
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The glyphs in the template are there to give you an indication of how to draw your custom font. Each glyph is contained in a separate layer, which is necessary for building the font. The template document includes upper and lowercase alphabets, as well as standard punctuation, but you can add any glyphs that don’t appear here manually. It costs $49 for either the Photoshop or Illustrator version, or $79 for both. To get started, you’ll have to buy Fontself from. If you use bitmap tools, as we do here, then they can be scaled only up to the original creation size-up to about 500px per character. If you create a font in Photoshop using Shapes tools, then they’ll be fully scalable. Having said that, color font support is likely to be built into most apps in the near future.Ĭolor fonts are created in the OpenType-SVG format. And as for browsers… you’re limited to Firefox and Microsoft Edge for now. They’ll work in most of the apps that ship with a Mac, such as Pages and TextEdit, but they won’t yet work in Illustrator or InDesign. Now Fontself has introduced a new plug-in that enables you to create color fonts in Photoshop.įirst, a word of warning: although you can create the fonts in Photoshop and use them in Photoshop, the number of external applications in which you can use them is at present very limited. In a previous article we looked at Fontself, the revolutionary plug-in that allows users to create fonts in Adobe Illustrator. They aren’t universally accepted just yet, but for you early adopters, here’s a great way to build custom fonts directly inside Photoshop. Color fonts have been touted as the Next Big Thing.
